Collection Summary |
|
| Repository: | The Barnes Foundation |
| Creator: | Albert C. (Coombs) Barnes, 1872–1951 |
| Title: | Albert C. Barnes The Art in Painting Manuscripts |
| Dates: | circa 1924–1937 |
| Extent: | 20.39 linear feet |
| Abstract: | This collection consists of background materials, travel notes, manuscript and typescript drafts, galley proofs, page proofs, final printed text blocks, and promotional materials for the three editions of The Art in Painting by Albert C. Barnes. |
| Code: | AIP |
| Language: | The majority of this collection is in English. Some material is in shorthand, and a small quantity is in French. |
[Description of item], [date]. Albert C. Barnes Art in Painting Manuscripts. The Barnes Foundation Archives, Merion, Pennsylvania. Reprinted with permission.
These records were part of a writings file housed in the Barnes Foundation’s administration building storage area.
Adrienne Pruitt. Finding aid written by Adrienne Pruitt, May 2006.
The Barnes Foundation Archives is currently closed for research while staff complete grant-funded projects to process the collection. Please contact the Archives for information on access and research.
The Barnes Foundation's writings files are the physical property of the Barnes Foundation Archives. The Foundation holds literary rights only for material created by staff of the Foundation and material given to the Foundation with such rights specifically assigned. For all other material, literary rights, including copyright, belong to the authors or their legal heirs and assigns. Researchers are responsible for determining the identity of rights holders and obtaining their permission for publication and for other purposes where stated.
Dr. Albert C. Barnes established the Barnes Foundation in 1922 to “promote the advancement of education and the appreciation of the fine arts.” In February 1925, Dr. Barnes’s book of aesthetic philosophy and art criticism, The Art in Painting, was privately published by the Barnes Foundation Press in a first edition of one thousand copies. It was intended to be “an experiment in the adaptation to plastic art of the principles of the scientific method.” By early fall1925, the book had nearly sold out, prompting Dr. Barnes to contact Harcourt Brace & Company about the possibility of a new printing. Although Harcourt expressed reservations about reprinting a book that had been previously published, they believed The Art in Painting to be “so original and important” that they were willing to accept the project. Dr. Barnes, with his characteristic business acumen, suggested that it be published as a first edition again, as the market for the book was largely untouched. With some additions and deletions, including a new frontispiece and a rewritten preface, The Art in Painting was republished as a first edition by Harcourt Brace & Company in April 1926.
A year later Dr. Barnes proposed another edition to include his recent studies of German, Dutch, Flemish, and French artistic traditions. This edition would incorporate the contributions of a new Barnes Foundation employee, Violette de Mazia, whom Dr. Barnes had hired as French teacher in 1925 and who by 1927 had taken Thomas Munro’s place as a teacher of art and aesthetics at the Foundation. The working method for The Art in Painting, and for other books by Dr. Barnes and staff at the Foundation, was frequently collaborative in nature. Henry Hart, who handled the publication of Barnes’s The Art of Henri-Matisse for Scribner’s in 1933, described the process in his later biography of Barnes. Hart wrote that the sections dealing with aesthetics and philosophy were “checked” by Laurence Buermeyer, while Mary Mullen was responsible for correcting grammar and punctuation and Violette de Mazia did research for the painting analyses. Internal evidence and correspondence suggest that this view is largely correct, although Buermeyer in particular probably played a larger role than Hart credited. Buermeyer, called “Harold” by Foundation staff because of his resemblance to silent film star Harold Lloyd, wrote chapter drafts based on Dr. Barnes’s notes for the first editions of The Art in Painting and revised, condensed, and rewrote chapters for the second and third editions. He did not accompany Dr. Barnes on the trips to Europe that inspired the second edition, however, and was not able to contribute as much to its writing. Violette de Mazia, Foundation teacher Jeannette Portenar, and secretaries Mary Mullen and Laura V. Geiger did travel with Dr. Barnes to Europe in 1927 for research purposes. They helped to complete the second edition, published in May 1928.
In 1931 and 1934 Dr. Barnes submitted proposals for a new edition to Harcourt Brace & Company, but the Depression had an adverse effect on book sales, and each time the publisher declined. Nor was Dr. Barnes willing to undertake the cost of publication, as he had for the second edition. He was, in any case, busy with other work. He and Violette de Mazia coauthored three books in four years: The French Primitives and Their Forms (1931), The Art of Henri-Matisse (1933), and The Art of Renoir (1935). Much of their research for these books is integrated into the third edition of The Art in Painting, published by Harcourt Brace & Company in April 1937. Foundation employees Cynthia Flannery Stine and Philip Jenney helped to compile information, type drafts, and copy edit the manuscript. While the second edition was substantially the same with the addition of chapters on German, French, Dutch, and Sienese traditions, the third edition was completely rewritten and half of the one hundred and twenty-two illustrations were replaced. The book reflects Dr. Barnes’s current interests, with references to the art of the Pennsylvania Dutch, Georgia O’Keefe, Charles Demuth, and Surrealism. The third edition was the last, as Dr. Barnes moved on to other projects. The Art in Painting has since gone through seven reprintings and is still used in the Barnes Foundation’s educational programs.
This collection consists of background materials, drafts, proofs, and final printed text of the three editions of The Art in Painting by Albert C. Barnes. Background materials include notes taken by students in the course in art appreciation sponsored by the Barnes Foundation and taught by Thomas Munro at the University of Pennsylvania in 1925, as well as travel notes gathered by Barnes and his staff during the course of several trips abroad in the 1920s and 1930s. Some travel notes are in shorthand, and many are written on ship’s note paper or on hotel stationery. They consist of analyses of artists and paintings in particular galleries, museums, churches, and collections in New York, London, Paris, Venice, Florence, Rome, and Berlin. Only travel notes directly pertaining to The Art in Painting are found here. Trips often provided source material for more than one book, and travel notes that served as the basis for multiple works may be found in the separate collection, Travel Writings.
Drafts of The Art in Painting are in manuscript, typescript, carbon copy, mimeograph copy, galley, and page proof form, and are frequently corrected by Barnes and by his associates Laurence Buermeyer, Violette de Mazia, Mary Mullen, Laura V. Geiger, Thomas Munro, Cynthia Flannery Stine, and Philip Jenney. These drafts provide evidence of Barnes’s work methods, which were highly collaborative, and demonstrate the evolution of his thinking on art. Early drafts of the first edition painting analyses sometimes contain information regarding the original placement of artworks that were displayed in Dr. Barnes’s home before the Barnes Foundation gallery was completed. This collection also contains promotional materials for The Art in Painting and reprints of reviews.
The following section contains a detailed listing of the materials in the collection.
| Series I. First edition, Barnes Foundation Press Dates: 1924-1925 Extent: 4.88 linear feet |
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| Arrangement: | |||||||||||
| This series is arranged in five subseries: 1. Background materials; 2. Drafts; 3. Proofs; 4. Final notes and corrections;
5. Printed text. |
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Arrangement |
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| This subseries is arranged in original order. |
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| Folder Title | Date | Extent | Folder Notes | ||||||||
| "Drawing." Typescript notes | circa 1924 | 1 Folder(s) | |||||||||
| "Cimabue - Raphael." Carbon copy notes | circa 1924 | 1 Folder(s) | |||||||||
| "Louvre Notes." Notes in typescript, carbon copy, and manuscript form | circa 1924 | 2 Folder(s) | |||||||||
| "National Gallery, London, Notes." Carbon copy and manuscript notes | circa 1924 | 2 Folder(s) | |||||||||
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Arrangement |
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| This subseries is arranged in four sub-subseries: A. Earliest drafts; B. Early drafts; C. Intermediate drafts; D. Late drafts.
Within each sub-subseries, drafts are arranged by state (version 1, version 2, etc.) within the order of the final printed
text. |
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| Sub-subseries A. Earliest drafts | |||||||||||
| Folder Title | Date | Extent | Folder Notes | ||||||||
| "Tentative notes, etc., on book on Painting." Draft, typescript, corrected | 1924 | 8 Folder(s) | Draft by Laurence Buermeyer, corrected by Buermeyer and Dr. Barnes. | ||||||||
| "Drawing." Draft, carbon copies | circa 1924 | 1 Folder(s) | Includes a handwritten memo from "Jane" (Laura V. Geiger) to "Mary" (Mullen) regarding "Harold" (Laurence Buermeyer). | ||||||||
| "Elements of Painting, Dawn of Modern Painting." Draft, carbon copies, corrected | circa 1924 | 4 Folder(s) | Draft by Laurence Buermeyer. | ||||||||
| "Plastic Form, The Dutch and Flemish Tradition, Landscape." Draft, carbon copies, corrected | circa 1924 | 8 Folder(s) | Corrections by Laura V. Geiger. | ||||||||
| "Plastic Form, The Dutch and Flemish Tradition, Landscape." Draft, carbon copies, corrected, and manuscript notes | circa 1924 | 3 Folder(s) | Includes manuscript notes to incorporate pages of a draft by Laurence Buermeyer. Corrections by Laura V. Geiger. | ||||||||
| "Plastic Form, The Dutch and Flemish Tradition, Landscape." Draft, typescript and carbon copies, corrected | circa 1924 | 3 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "Plastic Form, The Dutch and Flemish Tradition, Landscape." Draft, carbon copies, corrected | circa 1924 | 4 Folder(s) | Includes "Louvre Notes" and "National Gallery, London, Notes" along with instructions for their incorporation into the main text. | ||||||||
| "Color." Draft, typescript, and carbon copies, corrected | circa 1924 | 2 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "Raphael - The Transfiguration, The Castelfranco Giorgione, Titian - The Assumption." Draft, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laura V. Geiger. | ||||||||
| "Henri." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | Draft by Laurence Buermeyer, with corrections by Buermeyer and Dr. Barnes. | ||||||||
| "Analyses - Matisse." Draft, typescript and carbon copies, corrected | circa 1924 | 2 Folder(s) | Some manuscript titles by Laura V. Geiger. | ||||||||
| Sub-subseries B. Early drafts | |||||||||||
| "Summary - version 1." Draft, typescript, corrected, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Summary - version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Elements of Painting, Plastic Form." Draft, carbon copies, corrected, incomplete, and manuscript notes | circa 1924 | 1 Folder(s) | Includes manuscript notes to incorporate pages of a draft by Laurence Buermeyer. Corrections by Laura V. Geiger. | ||||||||
| "Elements of Painting, Plastic Form, Color, Composition." Draft, typescript and carbon copies, corrected | circa 1924 | 2 Folder(s) | |||||||||
| "Plastic Form." Draft, typescript and carbon copies, fragment | circa 1924 | 1 Folder(s) | |||||||||
| "Drawing." Draft, typescript, corrected, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Drawing." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Draft by Laurence Buermeyer, incorporating changes by Dr. Barnes, with corrections by Mary Mullen. | ||||||||
| "The Dawn of Modern Painting." Draft, mimeograph copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Impressionism." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. | ||||||||
| "Pissarro." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Manet." Draft, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. | ||||||||
| "Renoir." Draft, manuscript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Renoir." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laura V. Geiger. | ||||||||
| "Renoir, version 2." Draft, carbon copies, corrected | circa 1924 | 2 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "Degas." Draft, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | Includes a manuscript memo from Dr. Barnes to "Jane" (Laura V. Geiger) regarding rearrangement of the text. | ||||||||
| "Degas, version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Cezanne." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "Van Gogh." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Gauguin." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Maurice Denis." Draft, typescript, corrected, and carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Bonnard and Villard." Draft, typescript, corrected, and carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Contemporary American Painting - Lawson, Glackens." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Mary Mullen. Published chapter title, "The Impressionist Tradition in America." | ||||||||
| "Contemporary American Painting - Eakins, Luks, Henri." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Mary Mullen. Published chapter title, "The Manet Tradition in America." | ||||||||
| "Contemporary American Painting - Henri, version 2." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | Published chapter title, "The Manet Tradition in America." | ||||||||
| "Matisse." Draft, carbon copies and mimeograph copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Soutine." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Pascin." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Modigliani." Draft, typescript, corrected, and carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Henri Rousseau (le Douanier)." Draft, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. | ||||||||
| "Utrillo." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Roualt." Draft, typescript, corrected, and carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Kisling." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Demuth." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Chirico." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Summary of Younger Contemporary Painters." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Draft by Laurence Buermeyer, with corrections by Buermeyer and Dr. Barnes. Published chapter title, "Other Contemporaries." | ||||||||
| "Summary of Younger Contemporary Painters, version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | Draft by Laurence Buermeyer incorporating changes by Dr. Barnes. | ||||||||
| "Analyses - Monet." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Development of Renoir's Technique, Analyses." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Mary Mullen and Laura V. Geiger. | ||||||||
| "Development of Renoir's Technique, version 2." Draft, carbon copies, corrected | circa 1924 | 3 Folder(s) | Corrections by Dr. Barnes, Mary Mullen, and Laura V. Geiger. | ||||||||
| "Analyses - Renoir, Girl at Cafe Table." Draft, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. Includes a handwritten memo instructing that this analysis be omitted from the final book. | ||||||||
| "Analyses - Renoir, The Bathers." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Development of Cezanne's Technique." Draft, typescript, corrected | circa 1924 | 3 Folder(s) | |||||||||
| "Development of Cezanne's Technique." Draft, carbon copies, corrected | circa 1924 | 2 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "Analyses - Cezanne." Draft, typescript, corrected | circa 1924 | 2 Folder(s) | |||||||||
| "Analyses - Cezanne, Portrait of Madame Cezanne." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer and Mary Mullen. | ||||||||
| "Analyses - Matisse." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Picasso." Draft, typescript, corrected | circa 1924 | 2 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. | ||||||||
| "Copies returned by Mr. Munro." Drafts, carbon copies, corrected | circa 1924 | 8 Folder(s) | Copies sent to Thomas Munro and returned unchanged. Includes drafts of the following chapters: Transition to Modern Painting, Impressionism, Cezanne, Renoir, Pissarro, Seurat, Van Gogh, Matisse, Picasso, Contemporary American Painting, Goya, Degas. Corrections by Mary Mullen. | ||||||||
| "Harold's - not used." Drafts, typescript, carbon copies, and manuscript, corrected | circa 1924 | 8 Folder(s) | Drafts by Laurence Buermeyer, with corrections by Dr. Barnes. Includes drafts of the following chapters: Cezanne, Pascin, Impressionism, Matisse, Renoir, Academicism, Picasso, Academic Art Criticism, Method and Design, Glackens, Prendergast. Also includes a manuscript draft on Renoir by Dr. Barnes. | ||||||||
| Sub-subseries C. Intermediate drafts | |||||||||||
| "Elements of Painting, Plastic Form." Draft, carbon copies, corrected, incomplete | circa 1924 | 1 Folder(s) | Intermediate draft combining earlier drafts by Laurence Buermeyer and Dr. Barnes. Corrections by Mary Mullen. | ||||||||
| "French Painting Between Poussin and David." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Velasquez." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Rembrandt, Dutch Painting after Rembrandt." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Daumier." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Moderns." Drafts, typescript and carbon copies, corrected, and notes in typescript, carbon copy, and manuscript form | circa 1924 | 12 Folder(s) | Includes drafts of chapters and analyses for modern and contemporary painters. Also includes drafts of Plastic Form, Academicism, and manuscript notes by Dr. Barnes regarding Derain and Renoir. | ||||||||
| "Transition to Modern Painting." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Transition to Modern Painting, version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Impressionism." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "Impressionism, Seurat." Draft, typescript, corrected | circa 1924 | 2 Folder(s) | |||||||||
| "Impressionism - version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Manet." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "Renoir." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Puvis de Chavannes." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laura V. Geiger. | ||||||||
| "Puvis de Chavannes, version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Van Gogh." Draft, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Van Gogh - version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Van Gogh - version 3." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Van Gogh - version 4." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Gauguin." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laura V. Geiger. | ||||||||
| "Gauguin, version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Maurice Denis." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Maurice Denis, version 2." Draft, carbon copy | circa 1924 | 1 Folder(s) | |||||||||
| "Maurice Denis, version 3." Draft, carbon copy | circa 1924 | 1 Folder(s) | |||||||||
| "Bonnard." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer. | ||||||||
| "Bonnard, version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Contemporary American Painting." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. Published chapter title, "The Impressionist Tradition in America." | ||||||||
| "Lawson." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Lawson, version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Maurice Prendergast." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Maurice Prendergast, version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Maurice Prendergast, version 3." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Manet Tradition." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Manet Tradition - version 2." Draft, typescript, corrected, incomplete, and carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "The Manet Tradition, version 3." Draft, carbon copy, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Transition to Contemporary Painting." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Draft by Laurence Buermeyer, with corrections by Buermeyer and Dr. Barnes. | ||||||||
| "Transition to Contemporary Painting, version 2." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laura V. Geiger. | ||||||||
| "Contemporary Painting." Draft, typescript, corrected, and carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Matisse." Draft, typescript, corrected, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Picasso, Picasso Analyses." Draft, carbon copies, corrected | circa 1924 | 2 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. | ||||||||
| "Soutine." Draft, typescript, corrected | circa 1924 | 2 Folder(s) | |||||||||
| "Soutine - version 2." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "Pascin." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "Pascin, version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Intermediate Chapter Drafts." Drafts, typescript and carbon copies, corrected | circa 1924 | 2 Folder(s) | Includes drafts of the following chapters: Glackens, Maurice Prendergast, Bonnard, Gauguin, Puvis de Chavannes, Denis, Pascin. | ||||||||
| "Modigliani." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Modigliani - version 2." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer. | ||||||||
| "Utrillo." Draft, typescript, corrected, and carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Utrillo, version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Rouault." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer. | ||||||||
| "Kisling." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Kisling - version 2." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer. | ||||||||
| "Demuth." Draft, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Demuth - version 2." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer and Mary Mullen. | ||||||||
| "Lotiron." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Derain." Draft, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Derain, version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Chirico." Draft, typescript, corrected, and carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Chirico - version 2." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Method and Design." Draft, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. | ||||||||
| "Academic Art-Criticism." Draft, typescript, corrected | circa 1924 | 2 Folder(s) | |||||||||
| "Academic Art-Criticism." Draft, carbon copies, corrected | circa 1924 | 2 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "Academic Art-Criticism - Elie Faure." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Academic Art-Criticism - Elie Faure - version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Giotto." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses." Draft, typescript and carbon copies, corrected, incomplete | circa 1924 | 3 Folder(s) | Draft by Laurence Buermeyer, with corrections by Buermeyer and Dr. Barnes. Includes analyses of Andrea del Castagno, Fra Filippo Lippi, Piero della Francesca, Verrochio, Leonardo da Vinco, Raphael, Albertinelli, Pollaiuolo, Cosima Tura, Piero di Cosimo, Mantegna, Vivarini, Rembrandt. | ||||||||
| "Analyses - Andrea del Castagno." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Development of Renoir's Technique." Draft, typescript and carbon copies, corrected | circa 1924 | 5 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. | ||||||||
| "Development of Renoir's Technique - version 2." Draft, carbon copies, corrected | circa 1924 | 3 Folder(s) | Corrections by Laurence Buermeyer. | ||||||||
| "Development of Renoir's Technique - version 2, Development of Cezanne's Technique. " Drafts, carbon copies, corrected, and manuscript notes | circa 1924 | 2 Folder(s) | Includes manuscript list of corrections by Mary Mullen. | ||||||||
| "Analyses - Renoir, The Bathers." Draft, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer. | ||||||||
| "Analyses - Renoir, The Bathers - version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Development of Cezanne's Technique." Draft, typescript, corrected, incomplete | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. | ||||||||
| "Development of Cezanne's Technique." Draft, carbon copies, corrected | circa 1924 | 2 Folder(s) | Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. | ||||||||
| "Development of Cezanne's Technique - version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Van Gogh." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer. | ||||||||
| "Analyses - Bonnard." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Glackens." Draft, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. | ||||||||
| "Analyses - Glackens." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. | ||||||||
| "Analyses - Prendergast." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Matisse." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer. | ||||||||
| "Analyses." Drafts, carbon copies, corrected | circa 1924 | 2 Folder(s) | Corrections by Laurence Buermeyer. Includes analyses of Cezanne, Van Gogh, Glackens, Prendergast, Eakins, Luks, and Matisse. | ||||||||
| "Analyses - Picasso." Draft, typescript, corrected | circa 1924 | 2 Folder(s) | |||||||||
| "Analyses - Picasso, version 2." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer. | ||||||||
| Sub-subseries D. Late drafts | |||||||||||
| "Preface." Draft, typescript and carbon copies, corrected | January 1925 | 1 Folder(s) | |||||||||
| "Preface, version 2." Draft, carbon copies | January 1925 | 1 Folder(s) | |||||||||
| "Table of Contents." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Plastic Form." Draft, typescript, corrected, incomplete | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. | ||||||||
| "Plastic Form - version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Color." Draft, typescript and carbon copies, corrected, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Color - version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Giotto." Draft, typescript, corrected, incomplete | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. | ||||||||
| "Giotto - version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Raphael." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Michelangelo, Raphael version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Titian, Tintoretto, Paolo Veronese." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Laurence Buermeyer. | ||||||||
| "Titian, Tintoretto, Paolo Veronese - version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "El Greco." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "El Greco - version 2." Draft, typescript and carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Dutch Painting after Rembrandt." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Dutch Painting after Rembrandt - version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Portraiture." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Daumier." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Daumier, version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Courbet." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Courbet - version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Landscape." Draft, typescript, corrected, incomplete | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Laurence Buermeyer. | ||||||||
| "Landscape - version 2." Draft, carbon copies, corrected, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Impressionism, Manet." Draft, typescript, corrected, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Impressionism, Manet - version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Glackens." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Maurice Prendergast." Draft, typescript, corrected, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Maurice Prendergast - version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Contemporary Painting." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Soutine." Draft, typescript, corrected, incomplete, and carbon copies | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Laurence Buermeyer. | ||||||||
| "Soutine - version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Modigliani." Draft, typescript, corrected, incomplete | circa 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer and Mary Mullen. | ||||||||
| "Modigliani - version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Henri Rousseau (le Douanier)." Draft, carbon copy | circa 1924 | 1 Folder(s) | |||||||||
| "Lotiron." Draft, typescript, corrected, incomplete | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Laurence Buermeyer. | ||||||||
| "Lotiron - version 2." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Chirico." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Laurence Buermeyer. | ||||||||
| "Chirico - version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Method." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Late Chapter Drafts." Drafts, typescript, carbon copies, and mimeograph copies,corrected, incomplete | circa 1924 | 5 Folder(s) | Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. Includes drafts of the following chapters: Impressionism, Manet, Renoir, Degas, Cezanne, Puvis de Chavannes, The Post-Impressionists, The Impressionist Tradition in America,Contemporary Painting, Matisse, Picasso, Soutine, Pascin, Modigliani, Other Contemporaries, Method and Design, Academic Art Criticism. | ||||||||
| "Goya, Modern Painting, Contemporary Painting, Method and Design." Drafts, carbon copies, corrected | circa 1924 | 9 Folder(s) | |||||||||
| "Academic Art-Criticism." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Piero della Francesca." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Pollaiulo, Cosimo Tura." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Manni, Pisanello, Ghirlandiao." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer and Mary Mullen. | ||||||||
| "Analyses - Piero di Cosimo to Cranach." Draft, carbon copies, incomplete | circa 1924 | 3 Folder(s) | Includes analyses of Piero di Cosimo, Bellini, Tintoretto, Longhi, Caneletto, the Caraccis, Van Eyck, Rubens, Gerard David, Guido Reni, Perugino, Lorenzetti, and Cranach, and of Manni, Pisanello, and Ghirlandaio - version 2. | ||||||||
| "Analyses - Guido Reni to Cranach." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Corrections by Mary Mullen. Includes analyses of Guido Reni, Lorenzetti, Manni, Pisanello, Perugino, Ghirlandiao, Cranach. | ||||||||
| "Analyses - Guido Reni to Cranach, version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Rembrandt." Draft, carbon copies, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Watteau." Draft, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | Draft by Laurence Buermeyer, with corrections by Buermeyer, Mary Mullen, and Dr. Barnes. | ||||||||
| "Analyses - Watteau - version 2." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Turner." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Giotto to Cranach." Draft, typescript and carbon copies, corrected, incomplete | circa 1924 | 5 Folder(s) | Draft by Laurence Buermeyer, with corrections by Buermeyer, Mary Mullen, and Dr. Barnes. | ||||||||
| "Analyses - Giotto to Potter." Draft, carbon copies, corrected, incomplete | circa 1924 | 3 Folder(s) | |||||||||
| "Analyses - Cezanne." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Glackens." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses - Maurice Prendergast." Draft, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses." Final draft, typescript and carbon copies, corrected | circa 1924 | 12 Folder(s) | Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. | ||||||||
| "List of Paintings." Draft, carbon copies | circa November 1924 | 1 Folder(s) | Includes the text of a telegram regarding paintings by Picasso. | ||||||||
| "Index." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
|
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Arrangement |
|||||||||||
| This subseries is arranged in two sub-subseries: A. Galley proofs; B. Page proofs. Within each sub-subseries, proofs are arranged
by state (earlier, later, etc.) within the order of the final printed text. |
|||||||||||
| Sub-subseries A. Galley proofs | |||||||||||
| "Table of Contents." Galley proof | circa 1924 | ||||||||||
| Folder Title | Date | Extent | Folder Notes | ||||||||
| "Books I - V, Method and Design, Academic Art Criticism." Galley proofs, corrected | October 14, 1924 | Corrections by Dr. Barnes and Mary Mullen. | |||||||||
| "Analyses." Galley proof, corrected, incomplete | circa 1924 | Corrections by Laurence Buermeyer. Includes analyses of the Padua Giottos, Pietro Lorenzetti, Simone Martini, Manni, Pisanello. | |||||||||
| "Analyses." Galley proofs, corrected | circa 1924 | Corrections by Mary Mullen and Laura V. Geiger. | |||||||||
| "Index." Galley proofs, corrected | December 9, 1924 | Corrections by Mary Mullen. | |||||||||
| Sub-subseries B. Page proofs | |||||||||||
| "Earlier page proofs." Page proofs, corrected, incomplete | circa 1924 | Corrections by Dr. Barnes and Mary Mullen. Includes Book I, Chaper IV, Subsection V ("Form and Matter") through Analyses. | |||||||||
| "Earlier page proofs - Analyses." Page proofs, corrected, incomplete | circa 1924 | Corrections by Dr. Barnes, Mary Mullen, and Laurence Buermeyer. | |||||||||
| "Earlier page proof - List of Paintings." Page proof, corrected, incomplete | circa 1924 | 1 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "Later page proofs - Preface, List of Illustrations." Page proofs, corrected, incomplete | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. | ||||||||
| "Later page proofs." Page proofs, corrected | circa 1924 | 1 Box(es) | Corrections by Dr. Barnes and Mary Mullen. Includes full text except Preface and Illustrations. | ||||||||
| "Later page proofs - Illustrations." Page proofs, corrected | circa 1924 | 3 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. | ||||||||
|
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Arrangement |
|||||||||||
| This subseries is arranged in original order. These materials were found together in an envelope marked “Special Paragraphs,”
and the decision was made to keep them in original order and describe them at folder level in order to give readers a better
idea of the contents and of Dr. Barnes’s working process. |
|||||||||||
| Folder Title | Date | Extent | Folder Notes | ||||||||
| Manuscript notes regarding illustrations | circa 1924 | 1 Folder(s) | Notes indicating that some plates from An Approach to Art by Mary Mullen were re-used for The Art in Painting. Original order has been maintained. | ||||||||
| Blurb for The Aesthetic Experience by Laurence Buermeyer, carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| Blurb, typescript, corrected, and carbon copies | circa 1924 | 1 Folder(s) | |||||||||
| Copy for advertising leaflet, draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | Includes advertising leaflet for An Approach to Art by Mary Mullen. | ||||||||
| Blurbs for The Art in Painting and The Aesthetic Experience, draft, typescript, corrected | circa 1924 | 1 Folder(s) | Draft by Laurence Buermeyer, with corrections by Dr. Barnes. | ||||||||
| Copy for advertising leaflet for The Aesthetic Experience by Laurence Buermeyer, typescript and carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| Manuscript notes regarding illustrations | circa 1924 | 1 Folder(s) | |||||||||
| Manuscript list of corrections | circa 1924 | 1 Folder(s) | |||||||||
| Manuscript notes regarding illustrations | circa 1924 | 1 Folder(s) | |||||||||
| "Front matter, Preface, Table of Contents." Draft, carbon copies, corrected | circa 1924 | 1 Folder(s) | |||||||||
| Title pages, printed text, carbon copies, and manuscript | circa 1924 | 1 Folder(s) | |||||||||
| "List of Paintings." Draft, manuscript | circa 1924 | 2 Folder(s) | |||||||||
| Manuscript notes regarding illustrations | circa 1924 | 1 Folder(s) | |||||||||
| "Index." Draft, manuscript | circa 1924 | 1 Folder(s) | |||||||||
| "Illustrations." Page proofs | circa 1924 | 1 Folder(s) | |||||||||
| Manuscript notes regarding catalog data | circa 1924 | 1 Folder(s) | Includes a note from Laurence Buermeyer to Thomas Munro, regarding birth and death dates for a list of artists, with Munro's reply on the reverse. | ||||||||
| "List of Paintings." Manuscript notes | circa 1924 | 1 Folder(s) | |||||||||
| Manuscript list of corrections | circa 1924 | 1 Folder(s) | |||||||||
| Manuscript notes regarding Egyptian dynasties | circa 1924 | 1 Folder(s) | |||||||||
| "Academic Art Criticism." Drafts, page proofs and typescript, corrected | circa 1924 | 1 Folder(s) | Corrections by Dr. Barnes, Laurence Buermeyer, and Mary Mullen. | ||||||||
| "Illustrations." Page proofs, corrected | circa 1924 | 1 Folder(s) | Corrections by Mary Mullen and Thomas Munro. | ||||||||
| "Development of Cezanne's Technique." Page proofs, corrected, incomplete | circa 1924 | 1 Folder(s) | |||||||||
| "Analyses, List of Paintings." Page proofs, corrected, incomplete | circa 1924 | 2 Folder(s) | Corrections by Mary Mullen and Laurence Buermeyer. | ||||||||
| "Index." Galley proofs, corrected | December 9, 1924 | 1 Folder(s) | Corrections by Laurence Buermeyer and Mary Mullen. | ||||||||
| "Transition to Modern Painting." Draft, typescript, corrected | circa 1924 | 1 Folder(s) | |||||||||
|
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| Folder Title | Date | Extent | Folder Notes | ||||||||
| "Final set." Printed text and page proofs, corrected, incomplete | circa 1924 | 1 Box | Corrections by Dr. Barnes and Mary Mullen. Includes instructions to printer to print 1,000 copies. | ||||||||
| Series II. First edition, Harcourt Brace& Co. Dates: 1925–1926 Extent: 4.21 linear feet |
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| Arrangement: | |||||||||||
| This series is arranged in five subseries: 1. Background materials; 2. Drafts; 3. Notes and corrections; 4. Proofs; 5. Printed
text. |
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|
|||||||||||
Arrangement |
|||||||||||
| This subseries is arranged in original order. |
|||||||||||
| Folder Title | Date | Extent | Folder Notes | ||||||||
| "Fine Arts V: Modern Art." Notebooks with manuscript notes | 1925 | 1 Folder(s) | Notes by Sarah E. Nusbaum taken during the Fine Arts V: Modern Art class given by Thomas Munro at the University of Pennsylvania. | ||||||||
| "Fine Arts V: Modern Art." Notebooks with manuscript notes | 1925 | 1 Folder(s) | Notes by Carolyn H. Baum taken during the Fine Arts V: Modern Art class given by Thomas Munro at the University of Pennsylvania. | ||||||||
| "Fine Arts V: Modern Art." Notebooks with manuscript notes | 1925 | 1 Folder(s) | Notes by R. S. Berg taken during the Fine Arts V: Modern Art class given by Thomas Munro at the University of Pennsylvania. | ||||||||
| "Fine Arts V: Modern Art." Notebooks with manuscript notes | 1925 | 1 Folder(s) | Notes by B. W. Sutro taken during the Fine Arts V: Modern Art class given by Thomas Munro at the University of Pennsylvania. | ||||||||
|
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| "Analyses - Assisi Giottos." Draft, typescript and carbon copies, corrected | circa 1925 | 1 Folder(s) | |||||||||
| Copy for dust jacket, dummies, corrected, carbon copies, and reprints | 1926 | 1 Folder(s) | Includes reprints of a review of The Art in Painting by Joseph Wood Krutch, from The Nation, March 19, 1926. | ||||||||
|
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| "Corrections - Art in Painting." Typescript and manuscript lists of corrections | circa 1925 | 1 Folder(s) | Lists of changes to be made between the Barnes Foundation Press edition and the Harcourt Brace & Company edition of The Art in Painting. | ||||||||
|
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| Galley proofs and printed text, corrected, incomplete | 1925-1926 | Corrections by Mary Mullen and Dr. Barnes. | |||||||||
| Cut and uncut page proofs, corrected, incomplete | March 1926 | Corrections by Mary Mullen and Dr. Barnes. | |||||||||
|
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| Unsewn and uncut text blocks | 1926 | 2 Box(es) | |||||||||
| Printed text, unsewn, incomplete | 1926 | 4 Box(es) | Disassembled text blocks, unsewn and some uncut, with no annotations. Used to assemble second edition. | ||||||||
| Series III. Second edition Dates: 1927–1928 Extent: 6.21 linear feet |
|||||||||||
| Arrangement: | |||||||||||
| This series is arranged in four subseries: 1. Background materials; 2. Drafts; 3. Proofs; 4. Printed text. |
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|
|||||||||||
Arrangement |
|||||||||||
| This subseries is arranged in original order. |
|||||||||||
| Folder Title | Date | Extent | Folder Notes | ||||||||
| "Analyses." Manuscript notes | circa 1927 | 6 Folder(s) | Notes on and early drafts of analyses of Grünewald, H. Burgkmair, Konrat Witz, Schongauer, Bernhard Strigel, Ulrich Apt, Dürer, Hans Baldung Grien, Lucas Cranach, and M. Schaffner, some written on ship's stationery from the S.S. "Minnetonka." | ||||||||
| "Revise - Cologne." Carbon copy notes | circa 1927 | 2 Folder(s) | Notes on particular artworks, with manuscript annotations by Dr. Barnes and Violette de Mazia. | ||||||||
| "Albrecht Dürer." Carbon copy notes | June 1927 | 1 Folder(s) | Manuscript annotations by Violette de Mazia. | ||||||||
| "Hans Holbein." Carbon copy notes | circa 1927 | 1 Folder(s) | Manuscript annotations by Violette de Mazia. | ||||||||
| Carbon copy travel notes | June 1927 | 5 Folder(s) | Travel notes describing particular paintings in museums in The Hague, Amsterdam, Berlin, and Munich, with manuscript annotations by Violette de Mazia. | ||||||||
| "Grünewald." Carbon copy notes | circa 1927 | 1 Folder(s) | |||||||||
| "Vienna - notes made by A. C. B., June 13, 1927." Carbon copy notes | June 13, 1927 | 1 Folder(s) | Manuscript annotations by Violette de Mazia. | ||||||||
| "Notes made by Doctor in Louvre." Carbon copy notes | 1927 | 1 Folder(s) | Manuscript annotations by Violette de Mazia. | ||||||||
| "London, Nation Gallery." Carbon copy notes | July 1927 | 3 Folder(s) | Manuscript annotations by Mary Mullen. Includes instructions for incorporation into the second edition of The Art in Painting. | ||||||||
| Notebook with manuscript notes regarding German art | July 1927 | 1 Folder(s) | Notes by Violette de Mazia and Jeanette Portenar, taken down in shorthand by Laura V. Geiger. | ||||||||
| "Albrecht Dürer, Hans Holbein." Carbon copy notes | circa 1927 | 2 Folder(s) | Corrections by Dr. Barnes and Laura V. Geiger. | ||||||||
| "Metropolitan Museum, New York City, September 21, 1927." Mimeograph copy notes | September 21, 1927 | 2 Folder(s) | |||||||||
| "French Primitives, F. Kleinberger Galleries, New York, Oct. 26, 1927." Carbon copy notes | October 26, 1927 | 2 Folder(s) | |||||||||
| Manuscript travel notes | circa 1927 | 1 Folder(s) | Travel notes describing particular paintings, some written on hotel stationery from Berlin and Paris. Includes a note from Dr. Barnes to Nelle E. Mullen. | ||||||||
| "Dutch Tradition." Outline, manuscript | circa 1927 | 1 Folder(s) | |||||||||
|
|||||||||||
Arrangement |
|||||||||||
| This subseries is arranged in four sub-subseries: A. Earliest drafts; B. Early drafts; C. Intermediate drafts; D. Late drafts.
Within each sub-subseries, drafts are arranged by state (version 1, version 2, etc.) within the order of the final printed
text. |
|||||||||||
| Sub-subseries A. Earliest drafts | |||||||||||
| Folder Title | Date | Extent | Folder Notes | ||||||||
| "Appendix - Cologne School." Draft, typescript, corrected | circa 1927 | 1 Folder(s) | |||||||||
| "Master of the Altarpiece from the Cologne Laurenziuskirche." Draft, typescript, corrected, incomplete | circa 1927 | 1 Folder(s) | Corrections by Violette de Mazia and Mary Mullen. | ||||||||
| "Master of the Altarpiece from the Cologne Laurenziuskirche - version 2." Draft, typescript and carbon copies, corrected, incomplete | circa 1927 | 1 Folder(s) | |||||||||
| "German Tradition." Drafts, manuscript, and manuscript notes | circa 1927 | 9 Folder(s) | |||||||||
| "German Tradition." Draft, typescript and carbon copies, corrected, and manuscript notes | circa 1927 | 5 Folder(s) | Corrections by Dr. Barnes, Violette de Mazia, and Mary Mullen. Includes a manuscript draft on Hans Holbein in Violette de Mazia's handwriting, and a typescript draft and manuscript notes on ship's stationery from the S.S. "Minnetonka." Also includes analyses of Grünewald, Dürer, and Bartholomew Bruyn. | ||||||||
| "German Tradition, Analyses." Draft, mimeograph and carbon copies | circa 1927 | 4 Folder(s) | |||||||||
| "German Tradition, Flemish Tradition." Draft, carbon copies, corrected | circa 1927 | 5 Folder(s) | Corrections by Dr. Barnes, Mary Mullen, and Violette de Mazia. | ||||||||
| "Flemish Tradition." Draft, carbon copies, corrected | circa 1927 | 2 Folder(s) | |||||||||
| "Dutch Tradition." Draft, carbon copies, corrected | circa 1927 | 3 Folder(s) | |||||||||
| "Analyses - Master of Marienleben, Master of St. Severin." Draft, carbon copies, corrected | circa 1927 | 1 Folder(s) | |||||||||
| "Analyses - Stephan Lochner, Master of Marienleben, Master of St. Severin." Draft, typescript and carbon copies, corrected | circa 1927 | 3 Folder(s) | Corrections by Dr. Barnes, Violette de Mazia, and Mary Mullen. | ||||||||
| "Analyses - Grünewald." Draft, carbon copies, corrected | circa 1927 | 1 Folder(s) | |||||||||
| "Analyses - Dürer." Draft, carbon copies, corrected | circa 1927 | 1 Folder(s) | |||||||||
| "Analyses - Bartholomew Bruyn." Draft, carbon copies, corrected | circa 1927 | 1 Folder(s) | Corrections by Dr. Barnes and Mary Mullen. | ||||||||
| "Analyses - Vermeer." Draft, carbon copies, corrected | circa 1927 | 1 Folder(s) | |||||||||
| Sub-subseries B. Early drafts | |||||||||||
| "Preface." Draft, manuscript, corrected | circa 1927 | 1 Folder(s) | |||||||||
| "Sienese Tradition." Draft, typescript and carbon copies, corrected | circa 1927 | 1 Folder(s) | |||||||||
| "Goya." Draft, carbon copies, corrected | circa 1927 | 1 Folder(s) | |||||||||
| "German Tradition." Draft, carbon copies, incomplete | circa 1927 | 1 Folder(s) | |||||||||
| "German Tradition - version 2." Draft, typescript and carbon copies, corrected | circa 1927 | 1 Folder(s) | |||||||||
| "German Tradition - Bernhard Strigel." Draft, typescript, corrected, incomplete | circa 1927 | 1 Folder(s) | Corrections by Dr. Barnes and Violette de Mazia. | ||||||||
| "German Tradition - Bernhard Strigel." Draft, carbon copies, corrected, incomplete | circa 1927 | 1 Folder(s) | Corrections by Mary Mullen. | ||||||||
| "German Tradition - Grünewald." Draft, carbon copies, corrected, incomplete | circa 1927 | 1 Folder(s) | Corrections by Dr. Barnes and Violette de Mazia. | ||||||||
| "Ge | |||||||||||