Wednesdays, November 19 – December 17, 6 – 8pm
Chaïm Soutine. The Pastry Chef (detail), c. 1919. The Barnes Foundation, BF442. Public Domain.
$220; members $198
(4 classes; no class Nov. 26)
About the Class
What do a buttery brioche, a bustling market, and a butchered rabbit have in common? In this delectable course, we will explore how artists like Manet, Monet, Renoir, and Soutine absorbed French dining practices, quintessential Parisian dishes, and decadent confections into their modernist vocabularies. We’ll begin in the 17th century with a discussion of royal gastronomy and how early cookbooks codified traditional French recipes. From there, we’ll trace the evolution of the modern-day restaurant, exploring how a refined food culture became increasingly accessible during the 19th century through bakeries and public markets. Painters like Manet and Renoir captured this evolution: food, and its consumption, became both a central aspect of public life and an important theme in modern painting. Learn how brioche, eclairs, asparagus, and butchered rabbits were loaded with meanings about class, taste, and national pride.
The class is online-only. More about online classes.
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Barnes classes will:
- Sharpen your observational and critical thinking skills.
- Improve your ability to communicate about art.
- Deepen your appreciation for cultures and histories outside your own.
Instructor
Christa DiMarco
DiMarco is an art historian specializing in 19th-century European painting, with a focus on Vincent van Gogh’s two-year stay in Paris. Her recent essays include “Van Gogh’s Parisian Gardens on the Butte Montmartre,” published in Nineteenth Century Studies (Penn State University Press), and “Marginal Space: Van Gogh’s and Signac’s Parisian Industrial Landscapes” in Perspective: Selected Essays on Space in Art and Design (Vernon Press).
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