Picasso: The Great War, Experimentation and Change

February 21–May 9, 2016

The Barnes Foundation, in partnership with the Columbus Museum of Art, Ohio, premieres Picasso: The Great War, Experimentation and Change on February 21. On view at the Barnes through May 9, this exhibition examines the dramatic fluctuations in Picasso’s style during the period surrounding the First World War, from 1912 to 1924. The show brings together some 50 works by the artist from major American and European museums and private collections, including paintings, drawings, watercolors, and costumes designed for the avant-garde ballet, Parade; and several pieces by his friends and contemporaries.

Unlike other members of the Parisian avant-garde, Picasso never directly addressed World War I as a subject in his art. Instead, he began experimenting with naturalistic representation, turning out classical figure drawings that outraged many of his avant-garde colleagues—this was quite a shift from the radical cubist approach he had been developing since 1907. Picasso did not give up cubism, however. Instead, he shuttled back and forth between two different styles for over a decade, breaking forms apart and making them whole again. The exhibition looks closely at the strange ambivalence characterizing Picasso’s wartime production, exploring it in connection with changes to his personal life, with his misgivings about cubism, and with the political meanings ascribed to cubism during the war.

The exhibition is curated by Simonetta Fraquelli, an independent curator and specialist in early 20th-century European art. The managing curator at the Barnes is Martha Lucy. The exhibition will travel to the Columbus Museum of Art in June 2016. 


Member preview lecture
Picasso and the Body
Thursday, February 18 
11 am–noon
Martha Lucy, deputy director for education & public programs and curator, Barnes Foundation

Exhibition preview
Member exhibition previews
Thursday, February 18, 9 am–5 pm
Friday, February 19, 9 am–5 pm
Saturday, February 20, 9 am–4:30 pm

Nightlife and performance
Opening Party for Picasso: The Great War, Experimentation and Change
Saturday, February 20
6–9 pm

Family program
ArtSee Activities: Circus/Costumes
Sunday, March 6
1–4 pm

Family programs
ARTime Storytime: Circus Surprise
by Sue Harris
Thursday, March 10
10:30–11 am and 11:30 am–noon 

Americanism and the French Avant-Garde: Picasso's Parade and Beyond

Sunday, March 13
2–3 pm
William M. Perthes, senior instructor, Barnes Foundation

Picasso's Wars
Mondays, March 14–April 11 (4 classes)
6–8 pm
Instructor: Matt Palczynski, adjunct assistant professor of art history, Tyler School of Art at Temple University

Lessons Picasso Taught Us
Tuesdays, March 15–April 12 (4 classes)
6–8 pm
Instructor: Michael Rossman, emeritus faculty, University of the Arts

Family program
ARTime Storytime: It's a Small World
by Richard M. and Robert B. Sherman
Thursday, March 17
10:30–11 am and 11:30 am–noon

Family program
Spring break family Artventure
Wednesday, March 23
10 am–noon

Picasso before the Great War
Mondays, April 4–25 (4 classes)
6–8 pm
Instructor: William M. Perthes, senior instructor, Barnes Foundation
Registration opens March 1

Embattled Cubism: Picasso, Rivera, and World War I
Sunday, April 10
2–3 pm
Patricia Leighten, professor of art and art history, Duke University

What Did Picasso See in Renoir?
Sunday, May 1
3:30–4:30 pm
Martha Lucy, deputy director for education & public programs and curator, Barnes Foundation

Member preview lecture
Interpreting the Clues: The Metamorphosis of Picasso's Paintings
Date and time to be determined
Ann Hoenigswald, senior conservator of paintings, National Gallery of Art



Circles Workshop
Tuesday, December 1
10:30 am–2:30 pm
Kenneth E. Silver, professor of modern art, New York University; and Barbara Buckley, director of conservation and chief conservator of paintings, Barnes Foundation

Preview lecture
Picasso: Cubism, Classicism, and the Politics of Style
Sunday, January 31
2–3:30 pm
Christine Poggi, professor of modern and contemporary art and criticism, University of Pennsylvania

Picasso and Myth
Tuesdays, February 2–23 (4 classes)
6–8 pm
Instructor: Jennie Hirsh, director of the MA in Critical Studies program, Maryland Institute College of Art

Picasso: The Great War, Experimentation and Change is sponsored by


Morgan Stanley


The contributing sponsor is


Additional support is provided by the Jill and Sheldon Bonovitz Exhibition Fund and the Robert Lehman Foundation.

The exhibition is made possible by the generosity of individual contributors to the Barnes Foundation Exhibition Fund.

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Image: Pablo Picasso (Spanish, 1881–1973). Harlequin Musican, 1924. Oil on canvas, 51 3/16 × 38 1/4 in. (130 × 97.2 cm). Given in loving memory of her husband, Taft Schreiber, by Rita Schreiber. National Gallery of Art, Washington. 1989.31.2. © 2016 Estate of Pablo Picasso/Artists Rights Society (ARS), New York



Collection + exhibition access: $29

Collection + exhibition access (senior): $27

Collection + exhibition access (student/youth): $15

Members free




Exhibition-only ticket: $14 (walk-up only) 


Book exhibition tours online or call 215.278.7200.




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