Surrealism, Then and Now
Mondays, January 5 – January 26, 6 – 8pm
Joan Miró. Group of Women (detail), July 15, 1938. The Barnes Foundation, BF1188. © 2025 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris
$220; members $198
(4 classes)
About the Class
Last year marked the 100th anniversary of surrealism, the global movement that upended the art establishment by championing the free play of the unconscious and the imagination. Coinciding with the Philadelphia Art Museum’s showing of the landmark traveling exhibition Dreamworld: Surrealism at 100, this class explores the work of the poets, thinkers, and artists who pioneered surrealism and considers the movement’s international expansion over decades. We’ll evaluate the movement’s success as an ideology, a political project, and an aesthetic revolution. Did surrealism fulfill its ambitions to transform the real? What can we learn today from a movement that mobilized art toward total liberation?
The class is online-only. More about online classes.
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Barnes classes will:
- Sharpen your observational and critical thinking skills.
- Improve your ability to communicate about art.
- Deepen your appreciation for cultures and histories outside your own.
Instructor
Naina Saligram
Saligram is a fellow researching the 46 works by Picasso in the Barnes. She has held curatorial, research, and teaching positions at the Philadelphia Museum of Art and Yale University Art Gallery. Saligram has also taught Barnes classes on topics such as primitivism and surrealism.
What Our Students Say
“The instructor is a gifted individual who is able to [engage] with all different kinds of learners and motivate us to want to learn more, see more, and experience more. I would highly recommend any course by this instructor.” —Collection Concentration: Medieval Modern with Kaelin Jewell
“Martha Lucy knows how to balance her lecture with fact, excellent painting selections, and inclusion of the students.” —The Art and Life of Toulouse-Lautrec with Martha Lucy
“The best class to understand the elements of art. The instructor’s expertise and warmth, along with the excellent discussions with my classmates, made it a truly wonderful experience.” —The Elements of Art with William Perthes
“This class offered rich insight into Picasso and his contemporaries—the gallery scene, turn-of-the-century politics, Catalan culture, along with Picasso’s approach to composition and contemporary European culture. It was so informative.” —Picasso in Focus: New Discoveries at the Barnes with Christine Romano and Naina Saligram
“Caterina loves the material she presents and infuses all her classes—of which I have taken many—with that infectious enthusiasm.” —Rendez-vous au Café: Café Culture in 19th-Century Art with Caterina Pierre