Fridays, March 20 – April 10, 1 – 3pm
Johannes Vermeer. The Milkmaid (detail), about 1657–58. Rijksmuseum, Amsterdam. Public Domain.
$220; members $198
(4 classes)
About the Class
This course examines the three most famous painters of the so-called Golden Age of Dutch painting, namely, the 17th century. Why are Hals, Rembrandt, and Vermeer still so popular among art lovers today? Each lecture will provide an in-depth look at their careers and paintings. We will also explore the broader cultural context surrounding these artists and address questions concerning their reputations in the centuries following their deaths.
The class is online-only. More about online classes.
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Barnes classes will:
- Sharpen your observational and critical thinking skills.
- Improve your ability to communicate about art.
- Deepen your appreciation for cultures and histories outside your own.
Instructor
Wayne Franits
Franits is a Distinguished Professor of Art History at Syracuse University. A specialist in 17th-century Dutch and Flemish art, his extensive publications have explored a variety of topics within the field, ranging from genre painting and portraiture to the work of the Dutch followers of Caravaggio.
What Our Students Say
“The instructor is a gifted individual who is able to [engage] with all different kinds of learners and motivate us to want to learn more, see more, and experience more. I would highly recommend any course by this instructor.” —Collection Concentration: Medieval Modern with Kaelin Jewell
“Martha Lucy knows how to balance her lecture with fact, excellent painting selections, and inclusion of the students.” —The Art and Life of Toulouse-Lautrec with Martha Lucy
“The best class to understand the elements of art. The instructor’s expertise and warmth, along with the excellent discussions with my classmates, made it a truly wonderful experience.” —The Elements of Art with William Perthes
“This class offered rich insight into Picasso and his contemporaries—the gallery scene, turn-of-the-century politics, Catalan culture, along with Picasso’s approach to composition and contemporary European culture. It was so informative.” —Picasso in Focus: New Discoveries at the Barnes with Christine Romano and Naina Saligram
“Caterina loves the material she presents and infuses all her classes—of which I have taken many—with that infectious enthusiasm.” —Rendez-vous au Café: Café Culture in 19th-Century Art with Caterina Pierre