Mondays, October 5 – October 26, 6 – 8pm
Mary Stevenson Cassatt. Little Girl in a Blue Armchair (detail), 1878. National Gallery of Art, Washington, DC. Collection of Mr. and Mrs. Paul Mellon
$220; members $198
(4 classes)
About the Class
Mary Cassatt (1844–1926) forged a singular path as a woman artist working in Paris during the late 19th century. Though limited by where she could study, exhibit, and even live, and often dismissed by critics, Cassatt defied the expectations of the time to become a successful professional artist. Her pioneering life and work have established Cassatt as a modernist icon.
This four-session online course examines Cassatt’s paintings and prints and considers interrelated themes, including her innovative depictions of women and her engagement with Japonisme. We’ll also discuss Cassatt’s enduring friendship with Edgar Degas and the influential role she played in the transatlantic promotion of impressionism.
Together, we’ll explore how Cassatt’s work continues to resonate today, for both its formal innovation and its nuanced observations of intimacy, autonomy, and modern experience.
The class is online-only. More about online classes.
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- Sharpen your observational and critical-thinking skills.
- Improve your ability to communicate about art.
- Deepen your appreciation for cultures and histories outside your own.
About the Series
Spotlight on American art! This October, we’re offering four new classes on four groundbreaking American painters. Sign up for one or enroll in all four at a discounted rate.
From the international career of James McNeill Whistler to the singular vision of Mary Cassatt, from Thomas Eakins’s Philadelphia realism to Aaron Douglas’s Harlem Renaissance modernism, these courses examine how American artists responded to changing ideas about identity, culture, and artistic expression.
Through close looking, discussion, and historical context, you’ll engage deeply with the people, places, and ideas that continue to shape conversations about American art today.
Instructor
Larissa Bailiff
Specializing in late 19th- and early 20th-century French art and culture, Bailiff is an art historian, educator, and writer who holds degrees from UC Berkeley and NYU’s Institute of Fine Arts. She has lectured throughout the tristate area and offered dozens of in-gallery and online courses at the Museum of Modern Art, New York.
What Students Are Saying
“Joe Tokumasu Field was a wonderful instructor. He’s patient, caring, and skilled at interacting with students’ questions and comments.” —The Japanese American Century with Joseph Tokumasu Field
“This was an exciting course with fascinating and informative lectures and well-chosen pictures. Franits is a brilliant teacher.” —17th-Century Dutch Art’s “Holy Trinity”: Hals, Rembrandt, and Vermeer with Wayne Franits
“The instructor was outstanding in every way—an expert in the subject, enthusiastic about the material, solicitous and supportive of students’ observations, and brilliant in expanding our discussion as warranted. The best Barnes instructor I’ve had, by far.” —The Nabis: Late 19th-Century Prophets of the New with Larissa Bailiff
“I enjoyed the course very much and liked how each week focused on a different topic relevant to the subject. Caterina is an engaging speaker, and you can tell she loves what she is teaching. Her enthusiasm and sense of humor come through.” —Famous Heists: Crimes in the History of Art with Caterina Pierre
“I felt at peace afterward and appreciated the art so much more than before.” —Being Present with Art: Cultivating Balance for Spring with Roksana Filipowska