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Wednesday, July 16, 10am – 4pm

#SeeArtDifferently

Alfred Stieglitz. Georgia O’Keeffe (detail), 1918. Photograph. Alfred Stieglitz Collection, Art Institute of Chicago. Image: Art Institute of Chicago / Art Resource, NY

$170; members $153
(one-day workshop)

About the Workshop

In the early 20th century, before the establishment of the Barnes Foundation and the Museum of Modern Art in the 1920s, modernist painting and sculpture were largely unknown on this side of the Atlantic. American taste tended toward the conservative, but a handful of individuals sought to nurture innovation. One such figure was photographer Alfred Stieglitz (1864–1946), who mentored young artists and introduced them to work by European modernists such as Picasso, Matisse, and Brancusi. Stieglitz’s 291 Gallery, founded in New York in 1905, became a gathering place for Georgia O’Keeffe, Arthur Bowen Davies, Marsden Hartley, Arthur Dove, and other artists interested in pushing American painting beyond realistic depictions of the natural world. This workshop investigates the impact of Stieglitz's circle on American painting, and how his advocacy of modernism created long-lasting ripples, affecting artists for years to come.

The class is online-only. More about online classes.

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Barnes classes will:

  • Sharpen your observational and critical thinking skills.
  • Improve your ability to communicate about art.
  • Deepen your appreciation for cultures and histories outside your own.

See all classes.

 

Alfred Stieglitz. Georgia O’Keeffe, 1918. Photograph. Alfred Stieglitz Collection, Art Institute of Chicago. Image: Art Institute of Chicago / Art Resource, NY

Instructor

Laura Watts

Watts is professor emerita in art history at Daemen University, in Amherst, New York, and has taught for more than 30 years on subjects including modernism, contemporary art, and visual literacy. Her book Italian Painting in the Age of Unification (Routledge, 2021) won the Visual Arts Award from the American Association of Italian Studies. She is currently researching the artistic connections between Bermuda and Provincetown, Massachusetts.

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