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Courbet: Painter of Women

Workshops / On-Site

Wednesdays, February 10 – February 17, 2 – 4pm

#SeeArtDifferently

Gustave Courbet. Woman with Pigeons (detail), 1860s. The Barnes Foundation, BF824

$150; members $135
(2 sessions)

Registration opens Nov. 18 at 10am; members can enroll Nov. 16 at 10am. Join now!

Apply for Scholarship Registration Opens Soon

About the Class

The French painter Gustave Courbet (1819–1877) defied academic conventions, cultivated a flamboyant lifestyle, and shocked viewers—in his lifetime and beyond. His bold new techniques and startling imagery offended many and frequently made him the subject of caricature in the French press.

In this two-session on-site workshop, we’ll focus on two striking paintings by Courbet in the Barnes collection: Woman with Pigeons and Woman with White Stockings. Through sustained close looking and conversation, we’ll examine how Courbet approached the figure, consider the different ways these paintings have been interpreted, and explore what made his work so controversial.

Together, we’ll consider why Courbet’s paintings continue to challenge viewers more than 150 years after they were made.

Capacity: 18

Barnes classes will:

  • Sharpen your observational and critical thinking skills.
  • Improve your ability to communicate about art.
  • Deepen your appreciation for cultures and histories outside your own.

See all classes.

Instructor

Rika Burnham

Burnham is a lecturer at Columbia University. She previously worked as head of education at the Frick Collection, as a museum educator at the Metropolitan Museum of Art, and as project director of the Teaching Institute for Museum Educators at the School of the Art Institute of Chicago. She is the award-winning author of Teaching in the Art Museum: Interpretation as Experience, a two-time Getty Museum Scholar, and a Distinguished Fellow of the National Art Education Association.

What Our Students Say

“The instructor was not only knowledgeable but so accessible, and such an inviting presence. She provided great reading to supplement the course.” —Mary Cassatt: Art, Identity, and Independence with Larissa Bailiff

“Pierre brings the art alive with her inside stories and images and how she interacts with the students. She is always able to answer and follow up with more information at the next class.” —Exhibiting Modernism: From the Salon to the Avant-Garde with Caterina Pierre

“Alison Boyd was engaging and effective during the online instruction, and she offered well-selected background materials for further reading.” —Aaron Douglas from Harlem to Philly with Alison Boyd