October 16, 2022 – January 29, 2023
Amedeo Modigliani. Young Woman in a Yellow Dress (Renée Modot) (detail), 1918. Collezione Fondazione Francesco Federico Cerruti per l’Arte, on long-term loan to the Castello di Rivoli Museo d’Arte Contemporanea, Turin
About the Exhibition
Technical discoveries. New insights. Secrets revealed.
Building on research that began in 2017, with a major retrospective at Tate Modern, this focused project takes a close look at how Amedeo Modigliani created his works. New scholarship by specialists across Europe and the Americas informs a detailed investigation of the artist’s unique style, casting new light on his practice, in an exhibition that brings together important pieces from museum collections.
Organized by a team of curators and conservators—Nancy Ireson and Barbara Buckley from the Barnes, consultant curator Simonetta Fraquelli, and conservator Annette King of Tate, London—Modigliani Up Close explores the iconic artist’s working methods and materials.
On view in the Roberts Gallery. View the exhibition brochure.
“An intimate, deeply researched retrospective . . . The wide-ranging selection of works, some familiar, some unexpected, in Modigliani Up Close expands our idea of what he achieved in his short life.” —The Wall Street Journal
Modigliani Up Close
This book is an in-depth exploration of how the iconic artist created his paintings, sculptures, and drawings over the course of his career. More than 60 works from major public and private collections are interpreted by leading scholars, curators, and conservators from international institutions. The richly illustrated volume also looks at the role of Albert C. Barnes in shaping Modigliani’s critical reception in the United States. Hardcover, 344 pages
Additional support is provided by the David Berg Foundation, Sue Perel Rosefsky, Alter Family Foundation, Pamela and David Berkman, Julie Jensen Bryan and Robert Bryan, Laura and Bill Buck, Marianne Dean, Dietz & Watson, Roberta and Carl Dranoff, Deborah Glass, Anne and Matt Hamilton, Pamela and James Hill, Amy Donohue-Korman and John Korman, Sueyun and Gene Locks, the Samuel P. Mandell Foundation, Yasmina M. Moukarzel, Nicole and James Schaeffer, Joan F. Thalheimer, Bruce and Robbi Toll, Harriet and Larry Weiss, Margaret and Tom Whitford, Randi Zemsky and Bob Lane, and other generous individuals.
Ongoing support for exhibitions comes from the Christine and Michael Angelakis Exhibition Fund, the Jill and Sheldon Bonovitz Exhibition Fund, the Horace W. Goldsmith Foundation, the Christine and George Henisee Exhibition Fund, and Aileen and Brian Roberts.
The exhibition publication is made possible with generous support provided by Joan Garde, Bob Wilson and Michele Plante, the Lois and Julian Brodsky Publications Fund, and Furthermore: the J. M. Kaplan Fund.
This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
In addition, support for all exhibitions comes from contributors to the Barnes Foundation Exhibition Fund:
Joan Carter and John Aglialoro, Julia and David Fleischner, Leigh and John Middleton, Jeanette and Joe Neubauer
John Alchin and Hal Marryatt, Jill and Sheldon Bonovitz, Lois and Julian Brodsky, N. Judith Broudy, Laura and Bill Buck, Elaine W. Camarda and A. Morris Williams, Jr., Eugene and Michelle Dubay, Penelope P. Harris, Jones & Wajahat Family, Lisa D. Kabnick and John H. McFadden, Victor F. Keen and Jeanne Ruddy, Marguerite Lenfest, Maribeth and Steven Lerner, Leslie Miller and Richard Worley Foundation, Hilarie and Mitchell Morgan, The Park Family, Adele K. Schaeffer, Katie and Tony Schaeffer, Dr. and Mrs. Eugene E. Stark, Joan F. Thalheimer, Bruce and Robbi Toll, van Beuren Charitable Foundation, The Victory Foundation, Kirsten White, Anonymous