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Tuesdays, March 5 – March 26, 1 – 3pm

#SeeArtDifferently

Vincent van Gogh. Still Life (detail), May 1888. BF928. Public Domain.

$220; members $198
(4 classes)

About the Class

Flowers are everywhere in the Barnes collection: in ancient statuary, medieval and Renaissance devotional art, Native American pottery, experimental modernist paintings, and more. As spring approaches, explore the power of these flowers to enliven our minds and our senses. Learn about their aesthetics and symbolism, and how flower imagery reflects discoveries in botanical science.

Capacity: 25

Barnes classes will:

  • Increase your understanding of art-related concepts.
  • Increase the ways you think critically about art.
  • Improve your ability to communicate about art.
  • Deepen your appreciation for cultures and histories outside your own.

See all classes.

Instructor

Amy Gillette

Gillette is a research associate at the Barnes. She earned her PhD in art history from Temple University, specializing in late medieval art and architecture. Her publications address the music of angels in Gothic and Byzantine art and the formation of medieval collections in Philadelphia during the Gothic Revival movement.

Recent Barnes Class Testimonials

“The teacher was so smart, and knowledgeable about everything: art history, architecture, interior design, and literature! What a breadth of knowledge!” Paris in the 1920s: Art, Design, Fashion, and Literature with Caterina Pierre

“The instructor was first-rate. Poised, professional yet also inviting and comforting. She set the perfect tone for this event, and her spirit opened up beautiful connections and conversations.” Being Present with Art: The Retreat with Roksana Filipowska

“The professor was highly engaging, facilitated excellent discussions, and [was] very knowledgeable. I learned a lot about teaching art history from watching her.” Matisse and Picasso with Martha Lucy

“The instructor [was] very empathetic and knowledgeable [and] created moments of sharing across students who participated actively in discussion.” Art and Literature of the Harlem Renaissance with Michael Williamson