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Tuesday, July 19, 10am – 4pm

#SeeingtheBarnes

Cretan. Nativity of Christ (detail), 16th century. BF362. Public Domain.

$170; members $153
(one-day workshop)

About the Class

Dr. Albert C. Barnes announced in 1925 that “Modern painting developed out of mosaics,” referring to the glittering glass and stonework of the Byzantine Tradition. The arrangement of his collection seems to support this bold claim. Modern and Byzantine objects are often displayed together—including a 16th- or 17th-century icon of the Nativity in an ensemble with paintings by Renoir—highlighting their shared visual qualities and connecting past and present experiences of art. This one-day workshop explores the art of the Byzantium, its role in Dr. Barnes’s collection, and the profound impact it had on modern artists like Vincent van Gogh, Henri Matisse, and Giorgio de Chirico.

Capacity: 18

Note: Proof of COVID-19 vaccination is required to attend this class; please check Safety Guidelines regarding current mask policies.

Instructors

Amy Gillette

Gillette is a research associate at the Barnes. She earned her PhD in art history from Temple University, specializing in late medieval art and architecture. Her publications address the music of angels in Gothic and Byzantine art and the formation of medieval collections in Philadelphia during the Gothic Revival movement.

Kaelin Jewell

Jewell is a member of the adult education faculty at the Barnes. She holds a PhD in late Roman and early medieval art history from Temple University and has worked as a field archeologist. In addition to her work at the Barnes, Jewell is the art historian for an underwater archaeology project near the Sicilian town of Marzamemi.

Art in Context

Art in Context courses connect works of art to history: What was happening politically, socially, and culturally at the time a piece was made? How did these circumstances shape the artist’s formal choices?